Crowvus Book Blog

 Last year, the Historical Writers Forum published an anthology of stories which had been inspired by pieces of artwork. I take a particular pride in this anthology - not only because it is a fabulous collection of stories which mine is included in, but also because I helped to come up with the theme. In amongst the pages of Masterworks , you will find stories inspired by painting and sculptures, and one which was inspired by a carving. I wrote a blog on this little carving when the book came out last November (which you can find here !), but it got me thinking about other examples of artwork as an inspiration... As historical fiction writers, art is not only an inspiration, it is also a valuable tool. Through art, we can get an idea of what people looked like (very handy if you are writing about a real figure from history) and it can also be very handy for events and settings. One of my favourite continuous portrayals of an event is the example of Frost Fairs. These start from their n

 After the fabulous fun and friendship of last year's #HistFicMay, I have decided to run the risk of doing it again! I'm sure that this year will be even better  than last year! So here's your heads-up of what you can expect from this year's online historical fiction event! I will be looking out for posts on BluSky , Facebook , Instagram , Threads , and Twitter , and I can't wait to reconnect with familiar faces and meet new friends too! Just like last year, every day will have a prompt. You can schedule posts or post them on the day. You can use pictures or use the #HistFicMay prompt image instead. Really, you can post anything which links to the prompt! And speaking of prompts, here they are: Introduce yourself Introduce your writing Which writer(s) most inspire(s) you? Favourite quote from your writing Introduce your MC You take your MC to dinner - what do you talk about? Self-destructing hero of redeemable villain? Who (if anyone) is your MC based on? Would you

 Writing historical fiction, it is impossible to ignore the overwhelming impact religion had on people's lives. It was not only the structure of organised religion, but the interwoven beliefs which dominated people's lives. Christianity, the religion which runs through most of my historical fiction, grew and survived with its ability to adapt as it spread from place to place and culture to culture, absorbing certain traditions as it powered on. I love Theology. I did my undergraduate degree in it, and it continues to remain a real interest of mine. I also love the idea of holding hands across history, seeing what my characters saw, and holding the same objects in my own hands as they or their peers did. Given the significance of religion and superstition throughout history, these things were common - although not necessarily accessible - and would have been understood by all. Religious iconography dominated Pre-Reformation Europe, speaking as a universal language to all. These

Today, I'm super-excited to be sharing a short story from the fabulous Gothic Horror writer, Judith Crow. Here is her Poe-inspired story, The Clockmaker ... The Clockmaker I cannot sleep. I cannot allow myself to sleep. In sleep, Death may strike with as little awareness as warning, and I find myself refusing to accept unawareness at the moment of demise. Yet, I wish I were afforded others’ natural ignorance of the timing of death. In the names of heaven and hell: I both curse and envy them for their ignorance! I, like others, started my final day with little to suggest it may be my last. I was in rude health when I arrived in London twelve days earlier, and today I took the time to call upon Sir Benjamin Pelham, a man I had served alongside in India. Twenty years ago, his interest in science and invention had lured him back to the English universities, while I had stayed abroad to make my fortune overseeing the collapse and redistribution of the once-mighty East India Company.  Si

Today for the #HistFicThursdays blog, I'm sharing my Alternative History short story The Triumph of Maxentius . It looks at the possible outcome if Constantine had not been victorious at Milvian Bridge. This was one of those key moments in history where everything changed direction... but what if it had gone in a different direction? If you enjoy this story, have a look at my other Roman Alternative History story, Vercingetorix's Virgin , in the Historical Writers Forum 's anthology Alternate Endings . The Battle of the Milvian Bridge (1520–24) by Giulio Romano.  The Triumph of Maxentius Ignatius had not watched his father’s execution. He had been present, hoping to avert the sword’s terrible movement as it delivered its fatal blow but, upon being recognised in the gathering crowd, he had fled. For several weeks he had hidden from everyone he knew and run from those he did not, dreaming of the day he could free his father and quit Rome altogether. But he had never found hi

 I'm not good at being told what to do. It's not just in writing, but in all walks of life. I don't mind guidelines - in fact, they can be very useful to creativity - but writing to someone else's criteria is another thing. So, back in 2021, when my sister Judith told me about Sapere Book's competition to write a series of books on one of their briefs, I initially ignored it. But then she said she would submit to their Age of Sail  brief if I did the Medici/Borgia books. I was still on something of a high after the success of The Year We Lived , but equally stuck in a deadspot in terms of creating a book which could live up to it, so I agreed to have a go at it, the resulting story being Poisoned Pilgrimage . My research took me far away from anything I had ever written creatively. Instead, I returned to my degree days and wrapped myself in the theology of the day. And it was good to be back! My set of stories was not selected by Sapere, but it didn't matter. I